Categories
Branding

Lights, Camera, Audio: Why Sound Is Taking Center Stage

I’ve always been a TV show fan, and have been investing my Thursday and Friday nights on the next episode in my favorite drama or sitcom for a long time — this was  before on-demand streaming allowed for bingeing, my recent pastime. If you’re a fellow binge-watcher and don’t click the convenient “skip intro” button, you’ve heard your favorite shows’ theme songs about a million times. Last night when I was swaying along to The Office’s theme song, a near nightly ritual of mine while preparing dinner, I got to thinking: what makes these songs so sticky? Is it strictly the emotional tie I have to the show, and actually has nothing to do with the creative itself? Luckily, I work at Veritonic, so I could get an answer to this question the next day at work. And lucky for you, you’ll get the answer now. 

We won’t be spending much time with the methodology here, or how Machine Listening and LearningTM works technically, as our website has plenty of detail on that subject. Basically what you need to know is for years Veritonic has been ingesting loads of creative assets – from podcasts, audiobooks, voiceovers, music, and ads – and has used insight from human response data to power an AI platform that can quantify the value of sound. So we could have done a lot here, but being a millennial, I really just wanted to prove that my generation’s theme songs like The Office and Parks & Rec were better than oldies like Mash and Seinfeld – sorry if I’ve dated you. 

Also, apart from my own generation biases, I thought that House of Cards would do very well because of the rumors that Netflix developed House of Cards with a heavy reliance on data: what type of script plays well with viewers, what type of protagonist will viewers root for, what are some of the other most watched shows on the streaming platform, so on.

But let’s see what the machine said.

For those in West Philadelphia, born and raised, you’ll be happy. The Fresh Prince of Bel-Air was most memorable. And although I’m not from Philly, the nostalgia of “playin’ b-ball outside the school” made the theme song resonate with me. The references to school-aged tifs and visiting distant family brings me back to my childhood as I’m sure it does for you. Memorability achieved; thanks Fresh Prince for reminding me that I was once an awkward kid with acne. 

And apparently Netflix’s money was well spent because House of Cards had the top Veritonic Audio Score (a composite score of emotional attributes, recall, and engagement) along with the highest score for authenticity. These results are no surprise to me, which is a nice break from the rollercoaster of emotions that the show elicits on viewers. HOC draws a strong tie from it’s engaging intro score to encouraging viewers to route for the “Bad Guy”. From the protagonist’s knee-jerk temper to the mysterious slaying of political rivals, we are committed to his path to the presidency. Enough about Politics, onto the Office Politics with…. The Office. (See what I did there.) 

The Office performs well on its engagement score which is nice to see as the show is riddled with examples that most working adults can relate to. From bad luncheons to office romance, we feel as though we’ve been there before, heard that gossip, seen that drama unfold.

All of the songs wound up scoring higher than Veritonic benchmarks. That means relatively speaking, they are all good creatives. It’s possible all these producers just got lucky, a hit show and a hit theme song. But there is an alternative to betting on luck, taking a lesson from the highest performer of the bunch, House of Cards: use data. For those that read this and still choose not to use data though, we always have the ‘skip intro’ button to fall back on.

Note from the author:

My job is to enable brands to understand and articulate the value their audio creative provides to the company and brand. I love connecting with teams on how they currently run their pre-market creative process. This example of how predictive modeling can enlighten creative testing and measurement was my way of finally settling a long-running debate I’ve had with my best friend. (Told you, Jake.)

If you’re curious to understand more about how our machine learning platform works and the data we derive from sound, I’d welcome the opportunity to connect. 

nangell@veritonic.com, LinkedIn

Categories
Advertising News

Sleeping Soundly with Veritonic Competitive Intelligence

For better audio campaigns, listen to the market

Think of the last time you bought something substantial, say, a new mattress. If you’re like most people these days, in addition to investigating certain features and such to help you make a decision, you looked to guidance from the market — you read reviews (from both people and ‘experts’). You looked for five stars, a large volume of feedback (with an emphasis on the most recent), trends and stats on which mattresses are most popular, anecdotes about the mattress things that matter to you, and so on. 

A new bed is obviously not only an expensive purchase — it’s a meaningful one. Will it make a good ‘home desk’ in our current, bizarre reality? Will you have to re-engage with a chiropractor in three years? With that, making your decision based on quantifiable insight on what’s happening in the mattress market is just responsible buying. In modern times, it’s a required checklist item.

Buying a bed v. buying a ton of media

What’s at stake when you launch a huge consumer ad campaign? While many might argue that more diligence should go into choosing a mattress, if you’re a marketer, you likely disagree. It goes without saying that if your campaign bombs, and it comes out that you launched it without paying attention to what’s happening in the market … yeah, you’re declining that Zoom meeting. In that scenario, the repercussions of less-informed choices are bigger than wasted budget alone: losing market share, tainting an otherwise popular brand — they’re all on the table.

So, like all responsible buyers, you make sure you have clear intelligence before you make a move — where others like you are spending and why; which channels, creative elements and more are working best for them; how new activity is changing things, and more.

It matters more in audio marketing

If you’ve had a chance to read news beyond the pandemic and the election, here are some items you may have seen recently: 

  • Omnicom is doing a $20M upfront buy on Spotify podcasts
  • NBCU is running audio-only interstitials before many of its TV ads
  • By 2028, voice assistants are projected to be in 90% of new vehicles sold globally
  • 53% of people who hear a smart speaker ad buy the product 

The list goes on to continually prove the point: Audio’s primacy as the marketing channel to connect with people — from podcasts to voice activated ads to sonic branding — is only growing. Like all responsible marketers in the 21st century, you need to focus on where the eardrums are. 

Veritonic Competitive Intelligence makes it easy and effective

So you need clear insight into the landscape to make more responsible decisions about audio marketing, the most critical space right now. Veritonic Competitive Intelligence brings that insight. But its value goes even further. 

Let’s say you’re the mattress company marketer. You know buying podcast inventory is probably a smart move, so you validate it with competitive intelligence data and see what other mattress companies are doing in podcasts. But to glean campaign effectiveness more completely — and efficiently — you recognize that you also need:

  • A holistic view of the audio landscape, like a sense of how other mattress companies are marketing on other channels.  Is your competition also investing in streaming services, radio, etc., and which of those channels is working best for them?
  • An easy way to know when new competitor ads launch and how they’re influencing the market
  • Fast results 
  • A common rating system for understanding success

Veritonic Competitive Intelligence brings it all together on one platform — to not only provide the insight and marry it to other key metrics like creative effectiveness, but to make it easy to understand and act on all of it.

We hope you’re as excited about this launch as we are. With the confidence that your every move in audio marketing is the right move, backed by evidence, we’re guessing you’re going to start sleeping a little more soundly. 

To get a walkthrough of Veritonic Competitive Intelligence, click here.

Categories
Audience Insights

In tricky times, the world turns to audio (again)

This article has been updated to include a new list of companies that are making audio content to support listeners. See below. 

From March 1933 to June 1944, Roosevelt addressed the American people in some 30 speeches broadcast via radio, speaking on a variety of topics from banking to unemployment to fighting fascism in Europe. Millions of people found comfort and renewed confidence in these speeches, which became known as the “fireside chats.” (history.com)

Not that he had too many other options at that point, but FDR clearly understood the power of radio to speak to and comfort the American people in a time of crisis. In both his choice of words and the manner in which he delivered them — informally, with calm — Roosevelt was a master of leveraging the medium to placate public concern, even if temporarily.

In our own current period of complexity, audio’s ability to comfort the world is more powerful than ever. Part of that power lies in the sheer number of options now available to us, from radio to streaming services to podcasts. Some of it surely lies in the fact that audio programming can be churned out easily wherever you are — perfect for the age of social distancing! 

But perhaps the most powerful part — as it was in the case of FDR — is built from smart, compassionate people. Getting up-to-the-minute news on developments is, of course, critical, but we’re talking about something different. Coming up with innovative ways to capitalize on the medium and develop programs that engage, distract, or otherwise remind us that there’s still a lot of fun to be had, is just as critical. We should be thankful for the people who do it.

Update: April 1, 2020

As we all get a little more settled in our new normal (at least what will be normal for a little while), we wanted to continue sharing the ways audio – be that radio, podcasting, or music – is here to comfort us.  There are obviously plenty more, as you see/hear them, don’t forget to share them! 

  • We are loving Pandora’s social campaign #WFHTips where members of the Pandora team share how they are keeping calm these days. This example is from our friend Steve Keller, Sonic Strategy Director at Pandora who practices ‘Virtual Commuting’.
  • Never expected 2020 was going to be the year that you took up a second career as a full-time teacher? Neither did we. Our partners at SiriusXM are giving parents a break with ‘Kids Place Live’ radio.
  • One perk for music lovers working at home is you can now listen out loud instead of through AirPods and have between-zoom-call solo dance parties. Veritonic team members were asked to each pick a song to add to a playlist with other audio industry members — check out our top picks! Isolation Radio.
  • Now trending on Stitcher is Westwood One’s new podcast: Scott Galloway’s The Prof G Show. A little humor and economic advice can go a long way in uncertain times like these.
  • Last but not least, sometimes being in the know can calm nerves. In case you want to stay up-to-date on the latest news (minus the fake news) Coronavirus Daily by our partners at NPR is our go-to.

If you wish to give to others during this time, consider MusiCares’ coronavirus relief fund. 

Here’s our favorites from last week:

Categories
Advertising Branding

Which consumer brands are winning audio?

“We’re now thinking about the sound [of a brand advert] first versus the look second. It’s a really interesting way of approaching that immersive consumer experience.”

– John Burke, global chief marketing officer of Bacardi and president of Bacardi Global Brands

The proof is now abundant: getting audio marketing right — powered by a methodical strategy — has never been more critical. If a global CMO testimonial like the above — declaring that audio now takes precedence over visual — doesn’t convince you, consider any of the latest realities about the audio market.

Continue reading on Mediatel News.

Categories
Advertising

Audio: Old Medium, New Tricks

Audio is one of the oldest forms of marketing. Make sure it’s effective with one of the newest forms of analytics.

“In the insights industry, there is a real gap between what has been traditionally available and what we need today,” says Tim Warner, who heads PepsiCo’s consumer and market research…. Leading consumer goods companies want to upgrade decades-old techniques, such as consumer surveys … which are seen as too slow, too expensive and often incomplete. (FT)

With all the technological innovation out there for marketers, it’s hard to say why market research hasn’t caught up. Maybe it’s hard to break out of “just what we’ve always used.” Maybe some lucky salesperson from the old guard scored a two-decade-long contract.

Whatever the reason, brands are increasingly less willing to wait around for a research vendor to assemble the right panel, organize data, suggest how to use it… and pay a hefty sum for the privilege. Business decisions — from product to marketing — need to be data-driven to be responsible business decisions, and the process for gleaning and leveraging those data needs to be modernized.

Ad creative needs smart, fast, actionable research more than anything. Why? Because, as Nielsen Catalina documented, creative drives nearly 50% of advertising effectiveness, more than targeting, reach, and brand combined. With that much power, who wants to leave figuring out what’s most effective to “the old methods that were invented before the digital era?”

In audio marketing, the problem is actually compounded. More than just facing legacy measurement systems, many of the biggest companies in the world have yet to measure audio creative at allIn today’s “audio renaissance,” how is it possible that decisions about ads, sonic branding, voice and more are still often made by gut? Look no further than the most commonly referenced stats (e.g., smart speaker adoption is growing faster than the early days of smartphones; 65% of podcast listeners are inclined to buy a product advertised on the show; etc.) to understand just how unsustainable that is.

So, for marketers concerned about getting audio marketing right — and tired of hitching up the horse and buggy of traditional research to try to figure it out — there’s good news: Machine-learning measurement — that quickly and accurately predicts how people will respond to audio creative — is here. It’s called the Audio Effectiveness Platform. 

What makes an audio effectiveness platform effective? Four things.

Merely moving from traditional research methods to a predictive platform is a big step as it is. But four critical components need to be present to fulfill the big promise.

1. The robot has to continually absorb tons of creative data

The smartest machine learning platform in the world can’t learn without analyzing a large and  steady volume of audio assets, from voices to streaming ads to sonic logos. Creative needs to be assessed for characteristics like timbre, brand mentions, use of music and the like, then weighed against other assets in the system for its’ ability to drive the marketer’s desired outcome. 

Let’s say a sneaker brand is assessing 50 voices for the one that will sound most “inspiring” to podcast listeners. The platform needs to be able to analyze those voices against a critical mass of other voices that have been gauged for their power to inspire podcast listeners.

Pandora’s Lauren Nagel describes a similar test that Pandora did on The Sonic Truth podcast.

2.   It needs to know what “effective” is

“…market research was all about mitigating risk of the decisions that the business had already made,” says Stan Sthanunathan, who has led consumer insights at Unilever since 2013. “Today our role has changed to anticipating consumers’ desires….”

For the system to predict how effective audio creative will be, it first has to understand what “effective” audio marketing actually is. An aggregate of different research philosophies points to four key components. Effective audio marketing:

  1.   grabs someone’s attention (engagement)
  2.   connects with them (emotional resonance)
  3.   is memorable (recall)
  4.   persuades them to want to buy the product (purchase intent).

While “machine learning” generally describes how a platform gets smarter as it processes more data, we like to think of the audio version as “machine listening and learning,” or M-LAL. “Listening” describes the machine’s ability to hear and understand the assets, and “learning” means evaluating them in the context of everything ingested and analyzed previously.

Back to our example: let’s say our sneaker brand is also looking for the voices that are most likely to persuade consumers to buy its sneakers. To predict it accurately, the machine obviously needs to be listening to and comparing against thousands of other voice assets that have scored relatively high for purchase intent in podcasts.

3.   It needs to keep getting smarter…with the help of people

While survey-based businesses are emblematic of “the old ways,” human response data is still important — just in the right context. Predictions need to be constantly validated and panels of people can help do it.

Back to the sneaker brand. Let’s say the platform, assessing a particular sponsor voice, predicts a relatively high score for “inspiring.” Without losing much time, the brand should be able to check those results against any custom audience segment it wants — say, several hundred in-market sneaker buyers in the midwest who listen to podcasts at least twice a month.

Once that data reinforces (or corrects) the prediction, those new learnings need to flow seamlessly back into the platform. That, in turn, makes the robot predict even more accurately next time.

4.   It needs to produce a simple, standardized score quickly

Intelligence about audio creative needs to be robust, cost effective and fast. But ultimately, if it can’t actually be put to good use easily then what’s the point? 

The most useful output of audio effectiveness analysis is a simple score that not only incorporates the most relevant data, but that adheres to a standard that makes comparing across the market easy.

One more time to our sneaker brand. With smart speakers as a key part of their strategy, they know the “voice of their brand” needs to resonate with listeners as much as, if not more than, their competitors. The platform needs to make that benchmarking easy. 

A simple, universal score makes the relative value of their voice asset — and their smartest path forward —  clear as a bell.

It’s unsurprising that audio, which is driving some of the most ubiquitous innovations in the modern era, is driving innovation in analytics as well. Technology at its best gravitates to where it’s needed the most. If one innovation ensures that millions of podcast listeners get ads for products they actually care about, another one needs to ensure that what they hear actually compels them to buy.

From the earliest days of radio, the smartest brands, media companies and others have always known just how resonant and powerful audio can be. Now, in the audio renaissance, the same types of leaders are embracing technology to reveal that power clearly and quickly. And it’s only getting smarter.